Tickets for most shows at the city-owned venue are available at axs.com. Visit for more ticketing information, directions, parking details and updated COVID-19 information. Here’s our running list of confirmed shows at the 9,500-capacity venue for this year, which will be updated online weekly. That’s an exponential jump over 2020’s smattering of 175-person, socially distanced experiments, and an encouraging sign for this concert season. The 233 ticketed, paid events included 177 concerts, 36 movies in Denver Film’s Film on the Rocks series, and 20 yoga and fitness programs. The globe-spanning distinction arrived at the end of the venue’s 80th anniversary, which broke its own seasonal record for hosted programming, Billboard reported. Last month it was named 2021’s most attended concert venue by Billboard. Last year’s live music comeback was successful in large part because it started outdoors.Īs COVID infection rates dropped in late spring and early summer, Morrison’s Red Rocks Amphitheatre led the way with some of the world’s first large-scale concerts and multi-day festivals. Then, in complete contrast, when we get to outdoor festival stages, we toggle in the fog mode and really wipe out the field,” Dingley concluded.Thursday, March 14th 2024 Home Page Close Menu The small particle size makes the haze almost disappear to the eye, which really helps keep the video walls sharp. In arenas, they create a beautifully clean and cloud-free haze. If decides to jump ahead, skip a verse, jump into a new track for example, the console picks it up far quicker than an operator would.”Ī pair of MDG theOne atmospheric generators is also featured in Flume’s show. “They really are the best units out there. Being able to work on a horizontal timeline opens a lot of possibilities when trying to hit all the sounds and layer up moments throughout the show. Being able to confidently deliver a concept is invaluable when brainstorming ideas.”ĭingley explained: “For the rest of the show, timecode is chopped into hundreds of loops and assigned all over the Ableton session. We can link an audio frequency band from the waveform and trigger a corresponding effect. It is far too abstract to run timecode over it, and most of the sounds are created live. For example, we have a continuing theme of a ‘Weapon’ soundscape intertwined throughout the set. It is easy to come up with an aesthetic idea when talking with the artist, while simultaneously visualising how it will work on a practical level. Flume’s show is heavily reliant on timecode and audio triggers. Utilising 46 Sharpys for Red Rocks, 16 Sharpys on the floor forming 2 horizontal lines at offset heights backing the artist. Thirty more were mounted overhead and kept in reserve for heavier electronic moments in the show, including 36 Sharpy washes, deploying 4 as side key lights and 32 overhead.ĭingley also had two grandMA2 lights and two NPUs at Red Rocks. “As far as workflow, the MA2 platform is very logical to me. Production Designer Rob Sinclair crafted scenic elements of neon-lit glass cubes and booth working alongside Creative Director Jonathan Zawada while Chris Rupple was the Lighting Crew Chief and Joel Eriksson was the Production Manager. It had to be thoughtful and precise without falling into anything too cliché EDM.” Assigned LD Stu Dingley was charged with creating a design that reflected the musician’s new and unique musical sub-genre and helped deliver “an experience that left a lasting identity to associate with Flume and his brand. Note Productions provided the equipment, which is distributed exclusively in North America by A.C.T Lighting. A year later he added the date to an already impressive American tour during which he headlined at Bonnaroo, CRSSD and Electric Forest, while winning a Grammy for Best Dance/Electronic Album for his second LP, Skin, in the meantime. When electronic music producer Flume returned to Red Rocks in July 2017, a large complement of Claypaky Sharpys, grandMA2 light consoles and MDG theONE atmospheric generators helped the Grammy winner light up the iconic Colorado amphitheatre.įlume, the professional name of Harley Edward Streten, enjoyed a successful Red Rocks debut in 2016.
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